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Mariah has performed many holy songs in her career. Of course, she is world famous for her all-time classic, 'All I Want for Christmas is You' which she co-wrote with Walter Afanasieff. Merry Christmas. You can learn more about this type of song here
Scripture in Song .
I especially love, 'Anytime You Need a Friend' from Music Box which I believe was inspired by Jesus Christ. Music Box
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Mariah Carey's Page
Ecclesiasticus 9:8
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Mariah Carey's Page
This page is dedicated to Mariah Carey, superstar singer and actress who has numerous American number one hit singles to her credit and has sold millions of copies of her records all over the world.
I fell in love with Mariah when I read the sleevenotes on her 'Butterfly' album. She gave credit to God for everything which means she is a Christian sister to me. She gives credit to God on all her albums and I love them all. She has to perform and conduct her affairs with God in mind and I love and respect her for hat. She has a perfect figure and God uses it to great advantage to get His message across to her audiences.
She showed a truly professional approach when she performed while sick on her last tour so as not to disappoint her fans. She is a brilliant performer and has a terrific vocal range which she is not at all afraid of using to great effect. She adds tremendous texture and variation to her vocals in an effort to move away from the 'semi-electronic' sound of other not so skilled singers.
She is a complete maestro of modern studio techniques as far as track building goes. She effortlessly records layer upon layer of vocals and backing vocals which blend so well one has to compare them to sacred masses in their beauty which indeed have the same divine inspiration as their source.
Her 'Butterfly' and 'Rainbow' albums show great maturity and professionalism in approach to her genres where the concept of guest vocalist has been used to enhance her performances both musically and spiritually.
All Time Top Ten
- Love Takes Time
- Someday
- Prisoner
- I Don't Wanna Cry
- Can't Let Go
- Till The End of Time
- All I Ever Wanted
- Whenever You Call
- Breakdown
- Endless Love
Charts of the World
Home page >Mariah's page >Charts' pagePOP CHARTS OF THE WORLD.
You can click this link to follow Mariah's singles around the world and request them below.
Requests - Addresses for You to Request Mariah's Songs
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Miscellaneous Requests/Radio Stations
'RAINBOW' (1999) ALBUM REVIEW
Track by track review:
Heartbreaker
Written by: Mariah Carey, Jay-Z, Shirley Elliston, Lincoln Chase, Michael Walden and Jeffrey Cohen.
The sleeve gives credit to the song 'Attack of the Name Game' by S. Elliston, L. Chase, M. Walden and J. Cohen [EMI Al Gallico Music Corp. (BMI)/WB Music Corp./When Words Collide/See No Evil Music (ASCAP)/Embassy Music Corp. (BMI)] which is used as a sample(s) by Mariah.
This track features Mariah and Jay-Z. Mariah sings and Jay-Z raps (DJ Clue also talks). The track falls in my hip-hop category (R&B with rap) and as Jay-Z says 'You've gotta bounce to this like this.' It has two repetitive hooks: 'Gimme your love' and the chorus, both of which Mariah sings and these coupled with the powerful bass line do indeed make you think about dancing. Mariah's lyrics aren't particularly bluesy just a nice love song about a nice guy she can't resist. Jay-Z intersperses 'ahas' throughout the song in typical rap fashion and Mariah does well to concentrate on her part. Jay-Z's main rap sequence is a list of things Mariah wants.
Produced by: Mariah Carey, DJ Clue and Ken 'Duro' Ifill. 1999 Columbia.********** Can't Take That Away (Mariah's Theme)
Written by: Mariah Carey, Diane Warren.
This is a simple gospel/blues number with mainly strings and piano and later drums. It is spiritually uplifting and Mariah sings competently describing her inner strength and light which not even her enemies can hope to destroy. It is the Holy Spirit crying out in defiance over all things evil.
Produced by: Jimmy Jam, Terry Lewis and Mariah Carey. 1999 Columbia.********** Bliss
Written by: Mariah Carey, James Harris III, Terry Lewis, James Wright.
This is a gorgeous song with Mariah showing how to write and sing in true Mariah Carey style. The lyrics are sexy but not at all cliched and she uses her higher register to charming effect. The beat is slow and a great track to smooch to at the end of a disco.
Produced by: Jimmy Jam, Terry Lewis, Mariah Carey and Jim Wright. 1999 Columbia.********** How Much
Written by: Mariah Carey, Bryan Michael-Cox, Jermaine Dupri, Tupac Shakur, Darryl Harper, Tyrone Wrice, Ricky Rouse.
The sleeve gives credit to the song 'Me And My Girlfriend' by T. Shakur, D. Harper, T. Wrice and R. Rouse [Songs of Universal Inc/Joshua's Dream (BMI)/Big D Music (BMI)/Hurt 'Em Badd Music (ASCAP)/Rouse Music] which is used as a sample(s) by Mariah.
This track features Mariah and Usher. It has a garage sort of feel to it and quite a catchy tune. Not particularly danceable though. The lyrics are nice, about how much they need their girl/boy friends.
Produced by: Jermaine Dupri, Mariah Carey and Bryan Michael-Cox. 1999 Columbia.********** After Tonight
Written by Mariah Carey, Diane Warren and David Foster.
This track is a beautiful R&B/pop number which I feel is underrated and could even have made a number one although it hasn't been released yet; such is the strength in depth of Mariah's repertoire. Luscious acoustic guitar opens the track which is another super slow smoocher for her and Luis to dance to and it continues right through played by the accomplished Dean Parks. The lyrics are simple but effective and describe a special night spent together by a loving couple.
Produced by: David Foster and Mariah Carey. 1999 Columbia.********** X-Girlfriend
Written by: Mariah Carey, Kandi and Kevin Briggs.
More acoustic guitar and fiddle on this garagey song which is a good example of lyrics with a message. Mariah is clearly telling an old girlfriend of her boyfriend (could it have been Luis?) to stop pestering him and leave him to her. The girl keeps calling her but not saying anything and leaves notes on his car. Mariah sings in a slightly subdued and upset mood in keeping with the lyrics.
Produced by: She'kspere Briggs and Mariah Carey. 1999 Columbia.********** Heartbreaker (Remix)
Written by: Mariah Carey, Da Brat, Missy Elliot, Ricardo Emanuel Brown, Snoop Doggy Dogg, Warren Griffin III, Andre Romell Young and Nathaniel Hale.The sleeve gives credit to the song 'Ain't No Fun (If The Homies Can't Have None)' written by R.E. Brown, Snoop Doggy Dogg, W. Griffin III, A.R. Young, N. Hale, published by WB Music Corp./Sony Tunes Inc. (ASCAP) which is used as a sample(s) by Mariah.
This track features Mariah, Missy Elliot and Da Brat. The song is funky hip-hop and has a distinctive, repetitive bass line. It's quite danceable. Strong and sometimes amusing raps by the two guest vocalists make it interesting to listen to. Mariah sings basically the same lyric as in 'Heartbreaker' but with more bluesy additions. The rappers essentially defend the vulnerable Mariah from any less than gallant behaviour by her lover. This version made numbr five in the U.K..
Produced by: DJ Clue, Mariah Carey and Ken 'Duro' Ifill. 1999 Columbia.********** Vulnerability (Interlude)
Written by: Mariah Carey.
This piece, I believe, is a taster for the soundtrack to her movie. It shows what a talented all round musician she is and it was thoughtful of her to put it on here for her fans with no equipment to download audio files. The lyrics are loosely based on 'Heartbreaker' with some nice guitar and synthesizer sounds which work well.
Produced by: Mariah Carey. 1999 Columbia.********** Against All Odds (Take A Look At Me Now)
Written by: Phil Collins.
This track is one of Mariah's few covers and is interesting for that reason alone. Phil Collins was of course drummer and singer with Genesis before going solo and I suppose it is a fitting tribute to his truly remarkable career. It is a fine song with majestic lyrics and Mariah sings well although the story is somewhat sad about a couple parting. It is due for release in the U.K. soon and her last number one here was a cover too, so we have high hopes that it will do well for both of them if their two fan bases buy together. The production called for 8 violins, 2 violas and 2 cellos to achieve the right string arrangement.
Produced by Jimmy Jam, Terry Lewis and Mariah Carey. 1999 Columbia.********** Crybaby
Written by: Mariah Carey, Howie Hersh, Snoop Doggy Dogg, Trey Lorenz, Timothy Gatlin, Gene Griffin, Aaron Hall III, Teddy Riley.The sleeve gives credit to the song 'Piece Of My Love' written by T. Gatlin, G. Griffin, A. Hall III and T. Riley published by Zomba Enterprises Inc. (ASCAP)/Cal Gene Music/EMI Virgin Songs Inc./(BMI)/EMI Virgin Music Inc. (ASCAP) which is used as a sample(s) by Mariah.
This hip-hop song features Mariah and Snoop Doggy Dogg. It has a distinctive 1920's/1930's sound to it and Mariah reminds me of Shirley Temple. In the song she is suffering from insomnia as she tries to forget a past lover, medicine doesn't work so she sips Bailey's instead. The singalong chorus is one of her best and then she starts singing 'cry' like a baby - very realistic!
Produced by Damizza and Mariah Carey. 1999 Columbia.********** Did I Do That?
Written by: Mariah Carey, Craig B., Tracey Waples, Joseph Smokey Johnson and Wardell Joseph Quezergue.
The sleeve gives credit to the song 'It Ain't My Fault' by J.S. Johnson and W.J. Quezergue published by Bonatemp Publishing Co./Colsoul Music Co. (BMI) performed by Silkk the Shocker and is used with permission of No Limit/Priority Records which is sampled by Mariah.
This is another hip-hop song from Mariah about a past lover/friend who apparently dumped her. She ends up falling on her feet and she hopes all is O.K.. The sample is unusual, doesn't appear to fit the story and the song has a loud noise which sounds like a wooden pallet being dropped.
Produced by Mariah Carey, Master P and Craig B. 1999 Columbia.********** Petals
Written by: Mariah Carey, James Harris III, Terry Lewis, James Wright.
This is one of Mariah's favourites and maybe somewhat autobiographic. She philosophizes about life and some of the people she has met and how they fall into different categories of those who love and support her and those that don't.
Produced by Jimmy Jam, Terry Lewis and Mariah Carey, 1999 Columbia.********** Rainbow (Interlude)
Written by: Mariah Carey, James Harris III and Terry Lewis.
This is a short piece set to piano (with birdsong) about the end of the rainbow and finding happiness there.
Produced by Jimmy Jam, Terry Lewis and Mariah Carey. 1999 Columbia.********** Thank God I Found You
Written by: Mariah Carey, James Harris III and Terry Lewis.
This song features Joe and 98 Degrees as guest vocalists. It is an R&B song about saying thanks for being there in a kind and thoughtful way.
Produced by Jimmy Jam, Terry Lewis and Mariah Carey. 1999 Columbia.
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'MARIAH CAREY' (1990) ALBUM REVIEW
Track by track review:
Vision of Love
Written by: Mariah Carey and Ben Margulies.
This track features Mariah in top form with an all time classic song written by arguably the most powerful song writing team of all time. It has an unusual and dramatic introduction with Mariah loosening up as the Holy Ghost and for her first single it's quite brave but has a marvellous effect.The main part of the song follows and we are treated to an almost funky bass rhythm, rim-shot and snapping fingers which should alert anyone that the world's best diva has something to sing about.
Everyone involved with the song from Mariah to the engineers did a magnificent job on the sound. You could define it as type A Mariah Carey - crisp clear pronunciation, beautiful breathing, tonal variation and multi octave range making her so interesting to listen to; and what a powerful voice - her lungs must be the finest ever and her whole chest amplifies the notes to give such a rich sound no words can really do it justice except the lyrics.
Not too soft and sensual not too sparse. She describes how God has guided her through her life even though at times it was hard and how she trusts and prays to Him. In return for her acknowledgement He has sent her a vision of love which she can cling to and cherish.
Towards the end of the song Mariah overdubs some backing vocals (including her phenomenally high voice) which are just a foretaste of another of her awesome talents - to blend in layer upon layer of her voice to produce such exotic and worthwhile productions that one has to listen to over and over to do them justice. (She develops this talent through her career to reach a peak with 'Breakdown' from her 'Butterfly' album).
All in all a most impressive start to an amazing recording career - how could she possibly do better?
Produced by: Rhett Lawrence. 1999 Columbia.********** There's Got To Be A Way
Written by: Mariah Carey and Ric Wake.
This song is the song that most people have to write at some stage of their lives especially if they' re in any way professional. It is a typical young person's look at the world and an attempt to pass some social comment on it. It is a very useful lyrical statement which enables the rest of us to put Mariah in perspective and categorise her correctly in our minds.She sings of a homeless man broken by a society of carers and non-carers, colour prejudice, bigotry, awareness, war, destitution, hunger and sorrow. Mariah stands firmly on the side of peace and she appeals to everyone to try to make the world a better place.The chorus is interesting in that she sings of trying to find a way to connect each other - maybe she was referring to the World Wide Web connections which went through a tremendous upsurge in the 90's. It would appear that the Web, for all its misgivings, has indeed made the world a better place and should continue to do so. Or maybe she was simply suggesting that people should carry on making love and not war.
Musically the song is a first class piece of pop with able performances by all concerned. Mariah hits some lovely high notes, Vernon 'Ice' Black plays nice guitar and there are some great backing vocals by Mariah, Billy T. Scott, Jamiliah Muhammed and the Billy T. Scott Ensemble.
Produced by: Ric Wake and Narada Michael Walden. 1990 Columbia.********** I Don't Wanna Cry
Written by: Mariah Carey and Narada Michael Walden.
This song is one of my personal favourites and is surely one of the most sadly beautiful songs in the world. But it is one of those songs which grew on me. It started off about twenty in my personal Mariah chart but gradually over the months it moved up to the top ten. Lyrically I didn't like it at first but the superb melody, moodiness and originality haunted me so I had to listen carefully - how could she put such lyrics to a melody so tuneful it would make Beethoven listen.I love the introduction and the verses for their quietness with luscious chord changes and beautifully timed acoustic guitar by Chris Camozzi. Also the originality of those percussive woodblocks creates a lovely mood. Distinctively, Mariah changes pitch and power in the choruses and verses. It is these features coupled with her register variation which gives the song its identity. In the verses she uses her classy, gorgeous, chesty, resonant, rich, lower register and then changes to her powerful trebly more feminine mid range in the chorus. It really is R&B singing at its very best with a superbly rehearsed and polished performance of perfect pronunciation.
So having described the music what of the words? These are so sad. They tell of an unhappy couple sitting in silence feeling empty. Mariah sings it isn't right for a relationship to continue if it produces only pain. She feels she must end it as she doesn't wanna cry. Although there is apparently nothing the couple can do to repair their romance it doesn't actually state that it ends. Maybe the marriage guidance people come to the rescue at the last moment. Maybe their friends arrive and talk them into staying together. Maybe they just see the light at the eleventh hour and kiss and make up. Let's hope so because such a beautiful melody surely deserves a happier ending to the story but then again this is R&B! All in all this is a classic 'must listen to' track which deserves its place in pop history.
Produced by: Narada Michael Walden. 1990 Columbia.********** Someday
Written by: Mariah Carey and Ben Margulies.
This song is one of my personal favourites as it is so beautifully arranged and produced and has one of the most catchy choruses of all time!The bass line kicks off with an oompah sort of bubbly, funky sound courtesy of Bob Cadway and then classic Motown bells from the keyboard joins in. This sets the scene and then Mariah starts singing.
The story is about relationships coming to an end as told from the 'dumped' side so to speak. About how short-sighted the decision was to end the relationship and how it will be regretted. With one of her best ever lines about 'the grass being greener' she sings of how her partner will never be satisfied again. I can't help but side with her and hate the other party! And then that ginormous chorus of all choruses starts - one that will shake the very roots of rhythm and blues to the furthest corners of Christendom for ever.
Starting with her middle register we get two 'somedays' separated by a glorious 'oo', and then she changes down to her lower register for the second line; then back up for the third; then back down for the last line. The overall effect is dramatic to say the least and coupled with the actual lyric is meant as a sharp ticking off to her ex-partner that relationships with her should last forever and that he has done something very foolish. I love the shape of the chorus melody on paper and the rise and fall of the notes may have inspired 'The Roof' on her later Butterfly album.
The last two verses carry on this theme that her partner has made a serious error of judgement and she warns him not too expect any shoulder to cry on in the future. Filling the high frequency part of the musical spectrum are some nice keyboard strings which add an orchestral feel.
Bob Cadway plays a superb electric-guitar solo after the third verse and gets a rich and balanced sound which I'll remember forever. I wonder if he enjoys telling his children about that one!
Mariah finishes up with a final 'someday' changing registers dramatically between syllables. Another unforgettable finish to a glorious piece of pop music. One of the finest written, up there with 'She Loves You', 'Heartbreak Hotel', 'Rock Around The Clock', 'Your Song', 'Living Doll', 'Angels' and the rest.
Produced by Ric Wake. 1990 Columbia.********** Vanishing
Written by: Mariah Carey and Ben Margulies.
This song is a special song in Mariah's collection as it has no percussion. Richard Tee plays piano and Mariah sings of fond memories, probably about a past lover or friend, and how they are vanishing from her life.Unsurprisingly, she gives a perfectly polished performance showing how she can effortlessly sustain notes and hit perfect pitch and also choose any note from about seven octaves! Interestingly, she still uses the 'grrr' sound as emphasis in some of her pronunciation even on this more classical number. (This is evident in other songs on this album e.g. 'I Don't Wanna Cry', 'There's Got To Be A Way'). This gives her lyrics a lot more power in the right places although some might find it annoying.
Produced by: Mariah Carey. 1990 Columbia.********** All In Your Mind
Written by: Mariah Carey and Ben Margulies.
This number uses woodblock percussion again in the introduction and then the song begins with bass and drum pattern. Mariah sings clearly and the lyrics describe a flourishing romance, so this is more of a pop song than R&B.She sings some really lovely long notes with beautiful legato slides showing she's well in control of her voice and on top form. One 'mind' at the end of the chorus takes off like a 3 stage rocket going into orbit! Towards the end she uses her upper register quite sparingly but to good effect.
Produced by: Ben Margulies and Ric Wake. 1990 Columbia.********** Alone In Love
Written by: Mariah Carey and Ben Margulies.
This song is a simple R&B pop song which is a platform for Mariah's tremendous lyrical skills, perfect pronunciation and thoughtful singing ability. She sings of love for her partner which is unfortunately more and more unrequited.
Produced by: Rhett Lawrence. 1990 Columbia.********** You Need Me
Written by: Mariah Carey and Rhett Lawrence.
This pop song starts with a very effective and original Van Halen type electric-guitar followed by a funky bass and drum before settling into a more conventional rhythm. Mariah sings confidently that her partner needs her and warns him not to make a mistake and 'dump' her. Another perfect song.
Produced by: Rhett Lawrence. 1990 Columbia.********** Sent From Up Above
Written by: Mariah Carey and Rhett Lawrence.
This is a pop song which features Mariah's dramatic and powerful lower and mid ranges. The former especially in the second line. She also performs some great backing vocals especially in the end choruses.She sings, thankfully, of a blossoming romance and everything is going well! Classy and exceedingly entertaining.
Produced by: Rhett Lawrence. 1990 Columbia.********** Prisoner
Written by: Mariah Carey and Ben Margulies.
This is a totally different song to the last two and deserves to be listened to carefully. (She raps on this and you won't get a better one; the only problem is the rap isn't on the sleeve notes.) Basically, she is telling her partner off for lying to her, amongst other things, and she won't be his prisoner instead of a normal lover. It is unique in her repertoire and I can't recall any other song like it sung by anyone. In content it reminds me of Jesus' sermon to the teachers of the law and Pharisees concerning hypocrisy (Matthew 23). She really excelled herself lyrically on the day(s) she wrote this, producing one of the finest, most powerful songs of all time in the process. If you're female you can sit back and laugh - but if you're male you'd better look out!Musically, it's reminiscent of 'Someday' in that it has the same Motown bells in the background. The drums are basic, loud and dramatic and add greatly to the feel of the song.
Towards the end of the song there is a beautiful, long 'love' followed by a bridge with a lovely drum roll into a rap which is songwriting at its best. And then comes that gorgeous, sooooooo sexy voice of hers again. Towards the end of it she positively shouts 'no' in a most emphatic way and she leaves him standing with a final 'see ya'. Probably a slap on the cheek too, by the sound of it! Stirring vocals indeed and an out and out all time classic.
Produced by: Ric Wake. 1990 Columbia.********** Love Takes Time
Written by: Mariah Carey and Ben Margulies.
This number is my all time favourite- just! It only beats 'Someday' because I have to agree with the actual lyric that love takes time and relationships shouldn't be rushed into. As songs go 'Someday' is stronger but this one is prettier. Not that it matters much as they 're all perfect with their own little idiosyncrasies.As with many of Mariah's songs they are very simple in their basic construction letting her brilliant singing ability carry the song. No more so than this one with just a few notes on the keyboards from the one and only Walter Afanasieff and then just a few basic drum beats. Mariah doesn't really use anything but her middle register but it does sound very pretty in this song. She sings of how a love affair has come to an end and she is starting to hurt from lack of love. She can't stop crying she misses him so much and she appeals to the Lord to help her in her sorrow.
Produced by: Walter Afanasieff. 1990 Columbia.
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